The "hotel for singles" serves as a collective protagonist, a microcosm of a Serbian society ground down by a deviant version of liberal capitalism. None of the tenants intended to end up here, but when a stranger arrives and commits suicide, their stagnant lives are irrevocably altered.

The hotel becomes an immersive, high-tension trap where misfortune binds the residents together. As Jasna, a caregiver, begins an amateur investigation into the woman’s death, the lives of the other tenants intersect: Marko, the hotel manager; Nikola, an undertaker in search of clients; and younger staff members Kristina and Andrej. They are joined by Dragan, a former legal officer, and Boris, a delivery driver.

While the younger group uses dark humour as a shield, the older residents remain anesthetized by memories of a better past. The presence of death forces each of them to question if they are truly living, proving that in a borderline situation, our only thin defence against the void is the people around us.